EL PASO, Texas – The MakerBot on my desk is making sounds like waves on a beach. Back and forth, back and forth, it gradually builds up my design in layers. My work focuses on the cosmogony and mythology of Zapotecan motifs. I am especially captivated by the fretwork designs of the archaeological site of Mitla, Oaxaca in Mexico.
I first explored these designs through photo documentation, then 3D modeling. I use the printed models to cast the designs in silver, thus interpreting the historical icons through modern fabrication techniques.
The artist is exploring printing with plant-based materials.
Photo by Carlos Gutierrez
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I originally used resin filaments. But now I’m thinking about my ecological footprint.
“I need to do better,” I tell myself. “I need to make art more consciously.”
The machine finds a stopping point, adjusting itself to begin a new line of material. I can see light fumes dissipating in the air.
The material I’m using is more eco-friendly than traditional 3D printing filaments. Instead of a plastic resin, it’s made out of a blend of recycled wood particles and plant-based polymers.
My goal is to make jewelry and art more sustainable. This is directly linked to the motifs that I use. Some of these fretwork designs represent water, clouds, butterflies and the overall cycle of life. My pre-Hispanic ancestors valued the preciousness of nature, and I can honor that through this research.
I’m happy with this new material. The wood filament is soft and malleable. The possibilities of integrating these designs with metal – and perhaps fabric – are endless.
The MakerBot suddenly stops. I quickly reach out to turn off the power. Then, it strikes me: The threads look like a tangled, beautiful mess. I contemplate the happy mistake that will inform my next steps of research and fabrication.
Editor’s notes:
Alejandra Carrillo-Estrada is a native of the Ciudad Juárez and El Paso U.S.-Mexico border region. In 2018, she received her MFA from the University of Illinois at Urbana-Champaign. She explores themes related to identity, border culture and social justice. You can follow her work here. Her Instagram handle is @ale_akiceri.
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