CHAMPAIGN, Ill. — Dance professor and choreographer Endalyn Taylor explores the reactions of communities during crisis in her new work, “In The Fullness Thereof.”
The dance piece is a response to events of last year – including violence at a white nationalist rally in Charlottesville, Virginia, and the mass shooting at a concert in Las Vegas – and how such crises can bring out the best in people.
“It’s got me thinking about families, and how we become families in those times,” Taylor said. “There’s a need for comfort, a need for protection, a need for some people to rise and be leaders, a need for others to be helped. That is the dynamic of families. It is that sense of community and family in times of crisis that I was struck by.”
“In The Fullness Thereof” will be performed at February Dance. The University of Illinois dance department will present February Dance from Feb. 1-3 at Krannert Center for the Performing Arts.
The title of the dance comes from a phrase in the Bible that was also referenced in a speech by Winston Churchill. Taylor said the dance reflects her interest in social justice and in using movement to create a narrative “that in some way speaks to what is happening in our world.”
The dancers start out as a tight unit, moving close to one another. The dance “symbolically lends itself to the idea of weight on a body, on shoulders, and how we have to rise up and shake that off and move through it,” Taylor said.
The choreography is a combination of contemporary ballet with some modern dance elements. It reflects the neoclassical ballet roles Taylor has performed, including movements inspired by George Balanchine’s choreography.
February Dance will also feature “Terminal C,” a rhythmic work by dance professor Kemal Nance that uses the African dance technique Umfundalai to look at social resistance and protest in an airport setting.
Linda Lehovec, also an Illinois dance professor, will present “(My) Tom,” which memorializes the music of Tom Petty.
A piece by guest artist and U. of I. alumnus Grace Courvoisier, “Mountain Dew Honey Spring,” will be performed by a large cast of women from the dance department. The dance takes a realistic look at love and romance from a female perspective.
February Dance also includes a collaborative work, “vestigial,” by graduate student Leah Wilks.