Andrea
Lynn, Humanities Editor
(217) 333-2177; a-lynn@illinois.edu
4/6/01
EDITORS:
Shana Alexander will be available to meet with members of the news media
from 2:45 to 3:15 p.m. April 17 in the gallery of Foellinger Auditorium,
709 S. Mathews Ave., Urbana.
CHAMPAIGN, Ill. Of the thousands of documents, photos and artifacts
that veteran journalist Shana Alexander has just given the University
of Illinois Library, perhaps none telegraphs her career better than
her collection of press passes.
The passes, a tiny part of the vast Shana Alexander Collection, reflect
her decades of globetrotting in pursuit of the story whether
it was in Lewiston, Maine site of the May 1965 heavyweight boxing
championship, or in Chicago site of the 1968 Democratic National
Convention. Her Temporary I.D. and Ration Card, issued by the U.S. Navy
on Oct. 4, 1965, testifies to her war reporting. "For use in Vietnam
only," the card gave her "full privileges" in the Navy
Exchange and the Commissary Store. She also received and kept
a photo I.D. from the "host" country.
Alexander was a journalist for Life magazine for 18 years; the first
female editor of McCalls; a columnist for Newsweek; co-host of
"Point/Counterpoint," a segment on the "60 Minutes"
television program; and is the author of seven books, including "Happy
Days," an autobiography. She teaches nonfiction writing at Southampton
College in New York.
Alexander will be celebrated during a free public event and exhibition
at the UI, beginning at 3:30 p.m. April 17 in the UI Foellinger Auditorium.
She and some of her closest friends, including poet-author Maya Angelou,
will speak at the event.
Another of Alexander's friends, former school headmistress Jean Harris,
the subject of one of Alexander's books, also will be on hand. Items
from the Alexander Collection will be on display in the Marshall Gallery
and in the Rare Book and Special Collections Library, both in the Main
Library, 1408 W. Gregory Drive, Urbana.
Alexanders papers were given to Illinois because, "I asked
Shana and she said 'yes,' " said Barbara Jones, head of the UI
Rare Book and Special Collections Library, which is the repository for
the new collection. In 1997, Jones began what is to date a six-part
and ongoing oral history of Alexander.
According to Jones, Alexanders career spanned a "crucial
time" in the history of print journalism.
"She witnessed firsthand the steady flow of advertising dollars
from print media to television. She also experienced the difficulties
of a woman journalist navigating the
male-dominated world of publishing as she reported on the war in Vietnam,
the womens movement and the Civil Rights Movement."
Alexanders papers, Jones said, "will serve as an invaluable
resource to the new generation of interdisciplinary scholars in fields
such as women's studies, communications research and social and family
history, as well as the art and craft of nonfiction writing."
The collection is wide-ranging. Among other things, it includes many
photographs: files of publicity glossies of Alexander, as well as photos
of her in the field. One shows her on a campaign-trail bus, surrounded
by 1968 presidential hopeful Eugene McCarthy and several of his aides.
The photo is signed: "To Shana with remembrance of 1968.
Gene McCarthy."
The collection also includes boxes of reporters notebooks, drafts
of stories and hundreds of letters. Among the letters: a 1979 typed
note from Kurt Vonnegut praising her for her book "Anyone's Daughter,"
the story of the 1974 kidnapping of newspaper heiress Patty Hearst by
the Symbionese Liberation Army. Vonnegut, who, like Alexander was trained
as an anthropologist, described the book as a piece of "deeply
responsible work," and its author as "a social scientist of
the first rank."
Not all of the fan mail was positive. Alexander also kept files of the
correspondence between irate readers and her editors at Life. Her 1966
"The Feminine Eye" column titled "On the Lookout for
Lurleen," a profile of Alabama first lady Lurleen Wallace, drew
a great deal of fire, most of it for Alexander's conceptions and self-described
misconceptions about the Wallaces and the American South.
Many transcripts and sets of raw notes also are included in the collection,
among them transcripts of Alexander's visit with Jean Harris at Bedford
Hills Prison on March 3, 1982. Harris was convicted of killing her lover,
Scarsdale-diet doctor Herman Tarnower, and sentenced to 15 years in
prison. Alexander's 1983 book about the trial is titled "Very Much
a Lady."
Alexanders archive is "particularly rich" in documenting
her research on the Harris trial, Jones said. Interviews with friends,
physicians and others associated with Tarnower and Harris are among
the papers, as well as diaries, trial notes and press clippings.
Alexander's original Teletyped columns and later marked-up drafts and
comments from editors show the process of journalism from the
field to the newsstand. From Saigon on Oct. 13, 1965, Alexander sent
a telex of her draft of a "Feminine Eye" column on the musical
"Hello, Dolly," which was playing for U.S. troops in Vietnam.
Because it was difficult for a female reporter to get an assignment
in Vietnam, Alexander signed on as a dancer in the road show.
"Feel free to change, rewrite, trim or junk," she wrote Kunhardt
Morse, her editor, above the text of her story. While the piece started
off "fine," Morse had some questions and concerns. The ending
posed the most serious problem, he said, because its final observation
was too "obvious." He requested more details from Alexander
about the "feel" of the country, for example, and "the
smell of war."
Alexander made several changes in her piece. A new ending read: "I'm
glad now that I went along. Despite or perhaps because of the preposterous
nuisance of sending a full dress Broadway musical comedy on tour through
a combat zone in what turned out to be the hottest shooting week so
far, it came to seem that somehow the right show had got sent to the
right war after all."
Admission to the Alexander events, which are sponsored by the UI Library,
the Library Friends and the Office of the Chancellor, is by ticket only.
Free tickets may be picked up at the Library office of development and
public affairs, 227 Library.